WorkStudioLabPeopleInsights
Book a consultationLogin
Performance in a CIFO exhibition space
← WORK·CIFO

CIFO

A foundation is not a collection. It is a lens.
WHAT WE DID
Creative directionBranding and identityStrategyWebsiteDigital designVideo productionPhotographyExhibition graphicsPrint
SECTORArts and philanthropy
DISCIPLINESCreative direction · Identity · Strategy · Website · Video · Photography
FOUNDED2002 · Ella Fontanals-Cisneros
REACHLatin American artists, worldwide
SCROLL
THE CONTEXT

The Cisneros Fontanals Art Foundation was founded by Ella Fontanals-Cisneros to support contemporary Latin American artists and to move cultural exchange across borders through exhibitions, grants and commissions.

Twenty years in, it is one of the most respected art foundations in the region. Her eye for curation, and her commitment to Latin America's cultural capital, built it.

CIFO exhibition installation
THE EXHIBITION PROGRAMME · WHERE THE FOUNDATION IS ALREADY UNDERSTOOD
THE CHALLENGE

A reputation the art world knew, and a digital presence that had not caught up.

CIFO had long held a prestigious position inside the art world. Its digital presence and brand narrative lacked the coherence, sophistication and modern aesthetic that matched its curatorial impact.

The foundation needed a platform and a storytelling approach that could hold two things at once: Ella's refined vision, and the untapped creative energy of a whole region, without losing clarity for a global audience who arrive knowing neither.

THE INSIGHT
Her legacy is not about collecting. It is about revealing.
She uncovers the overlooked, repositions the misunderstood, and champions artistic voices that shape cultural evolution. That became the north star: reimagining CIFO not as a foundation that holds work, but as a curatorial lens pointed at Latin America's creative future.
The CIFO mark and mission statement on the foundation's site
THE MARK · THE MISSION SAID BEFORE ANY WORK IS SHOWN
THE STRATEGY

A system quiet enough to let the work be the loudest thing in the room.

An art foundation's identity has one obligation before any other: never compete with the art. So the system is built from restraint. A single accent, a disciplined grid, generous white, and typography that reads as an institution rather than as a season.

Inside that restraint the programme can be loud. Exhibitions, the grants and commissions programme, the collection and the twenty year record each get their own voice, and none of them needs a sub brand to be heard.

THE PROGRAMME

The work, photographed as the foundation actually shows it.

Installation photography, performance and video documentation across the exhibition programme, produced so the archive is usable rather than decorative.

PERFORMANCE AND PROJECTION · THE ROOM AS THE MEDIUM
GALAN, MARCIUS · 3 SECCIONES, 2011
LINNEMANN, ANA · STUDIO TABLE No. 3.A
PRISONER'S DILEMMA · INSTALLATION
THE SPACE, BETWEEN SHOWS
DETAIL · THE COMMISSIONED WORK
THE DIGITAL PLATFORM

Built for three audiences who never arrive for the same reason.

A curator looking for the collection. An artist looking for the grants and commissions programme. A collector or journalist looking for what is on now.

The site is organised so each of them lands one click from what they came for, and leaves having seen the other two.

CIFO website
A PRIVATE COLLECTION, CURATED BY ELLA FONTANALS-CISNEROS
THE HOMEPAGE · TWENTY YEARS, STATED PLAINLY
GRANTS AND COMMISSIONS · THE PROGRAMME THAT MAKES THE ARGUMENT
THE SYSTEM ACROSS SCREENS
THE CIFO COLLECTION, IN THE HAND
THE MARK, IN PRINT
EXHIBITIONS · THE IDENTITY AT ROOM SCALE
The team I trust with my brands.
ELLA FONTANALS-CISNEROS · FOUNDER, CIFO
THE RESULT

A modern identity that reflects its global standing while staying rooted in Latin America's creative soul.

The foundation's digital ecosystem now matches the sophistication of its mission, and draws in collectors, curators and cultural collaborators who were never going to arrive through the art world alone.

CIFO speaks the language of contemporary art now. Not only visually, but emotionally and intellectually.

THE PROOF
20+YEARS SUPPORTING LATIN AMERICAN ARTISTS
3AUDIENCES SERVED BY ONE STRUCTURE
1ACCENT, ONE GRID, NEVER COMPETING WITH THE WORK
2002GRANTS AND COMMISSIONS, ONGOING